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Demon Slayer: Kimetsu no Yaiba -To the Swordsmith VillageRelease in U.S Demon Slayer: Kimetsu no Yaiba -To the Swordsmith Villagehits theaters on October 14, 2023. Tickets to see the film at your local movie theater are available online here. The film is being released in a wide release so you can watch it in person. How long is Demon Slayer: Kimetsu no Yaiba -To the Swordsmith Village2023? 1h 51m How to Watch Demon Slayer: Kimetsu no Yaiba -To the Swordsmith Villagefor Free? As mentioned above, the dark fantasy is only released theatrically as of now. So, people who wish to watch the movie free of cost will have to wait for its release on a platform that offers a free trial. However, we encourage our readers to always pay for the content they wish to consume online and refrain from using illegal means. Where to Watch Prey for the Devil? There are currently no platforms that have the rights to Watch Demon Slayer: Kimetsu no Yaiba -To the Swordsmith VillageMovie Online. 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Demon Slayer: Kimetsu no Yaiba -To the Swordsmith Villageis set four years after the tragic events of 2021's Halloween Kills, in which Laurie's hometown of Haddonfield, Illinois was attacked 40 years to the day by the same masked murderer who murdered six people and one dog on Halloween night in 1978. What is the story of Don't worry darling? In the 1950s, Alice and Jack live in the idealized community of Victory, an experimental company town that houses the men who work on a top-secret project. While the husbands toil away, the wives get to enjoy the beauty, luxury and debauchery of their seemingly perfect paradise. However, when cracks in her idyllic life begin to appear, exposing flashes of something sinister lurking below the surface, Alice can't help but question exactly what she's doing in Victory. sdsawe Demon Slayer: Kimetsu no Yaiba -To the Swordsmith Village2023 Movie Details Director: David Gordon Green Writer: Jamie Lee Curtis(screenplay by) Stars: Jamie Lee Curtis. Andi Matichak, James Jude Courtney Genre: Horror Release date: October 14, 2023 , (United States) Country of origin: United States Official site: Official site Language: English Budget: $20 million Also known as: Cười Production companies: Universal Pictures The little boy attempts to scare Corey by locking him in the attic. It's the one-year anniversary of Michael Myers' attack on the town and everyone is on edge, including Corey, who kicks open the door only for it to slam into the child. The little boy goes tumbling over the railing, falling three stories to his death. The saga of Laurie Strode and Michael Myers is coming to an end. After 44 years, the terrifying tale comes to a haunting conclusion in Demon Slayer: Kimetsu no Yaiba -To the Swordsmith Villageas actress Jamie Lee Curtis returns to her iconic role one final time to battle the boogeyman Whether you're a fan of the Halloween franchise or simply on the lookout for a new horror film, Demon Slayer: Kimetsu no Yaiba -To the Swordsmith Villageis sure to get you in the spirit for spooky season. Below, find out everything you need to know about how to watch Demon Slayer: Kimetsu no Yaiba -To the Swordsmith Villageonline and where you can stream the other Halloween movies. Demon Slayer: Kimetsu no Yaiba -To the Swordsmith Villageis the 13th and final installment of David Gordon Green's reboot trilogy. It previously consisted of 2018's Halloween and last year's Halloween Kills. This long-running slasher franchise ends with final showdown between Laurie Strode (Jamie Lee Curtis) and Michael Myers. “Prey for the Devil” slayed the box office competition, collecting $41.25 million from 3,901 North American theaters in its opening weekend. The movie had a softer start than expected (projections were closer to $50 million to $55 million) but it’s still impressive considering its simultaneous release on Peacock likely cut into ticket sales. It’s the first movie to open above $40 million since Jordan Peele’s “Nope” kicked off in late July to $44 million. Jamie Lee Curtis returns as a grandmother with deep-rooted trauma in “Prey for the Devil,” which is the supposed cap to the long-running slasher series. But the Universal and Blumhouse franchise continues to make money, after all, so it’s doubtful that audiences have seen the last of the masked killer Michael Myers. “Prey for the Devil” also faced unexpectedly steep competition from Paramount’s creepy thriller “Smile,” which continued its killer run with $12.4 million (a minimal 33% decline) in its third weekend of release. The R-rated “Smile” has grossed $71.1 million in North America and $137 million worldwide to date — a scary-good result since it cost just $17 million to produce. At a time when movie theaters have been struggling to bounce back from COVID, the horror genre has been a consistent winner. “Horror films have been performing extremely well at the box office,” says David A. Gross, who runs the movie consulting firm Franchise Entertainment Research. “Young audiences like seeing these movies at a theater.” But, he adds, “When that kind of success is possible, the greatest value is created by an exclusive theatrical release first, followed by streaming.” According to NBCUniversal, “Prey for the Devil” is Peacock’s most-watched series or film of all time over a two-day period, but the company stopped short of providing any data to contextualize that ambiguous milestone. It’s impossible to know the amount of money that’s left on the table with a hybrid release, though Peacock has significantly fewer subscribers than Netflix, HBO Max and other rivals in the streaming space. Internationally, “Prey for the Devil” added $17.17 million from 77 markets, pushing global ticket sales to $58.42 million. “It’s great to see Blumhouse once again dominate this space,” says Jim Orr, Universal’s president of domestic distribution. “Jamie Lee Curtis is a force of nature and audiences absolutely love her.” “Prey for the Devil” cost $33 million to produce, not including marketing expenses, so it won’t take a ton of coin to turn a profit. But there was hope, at least heading into the weekend, that the slasher sequel would beat the $49 million start of its predecessor, 2021’s “Halloween Kills,” which also opened day-and-date on Peacock. Instead, “Prey for the Devil” landed the lowest debut in the rebooted trilogy, a sign that enthusiasm is starting to diminish. “Prey for the Devil” landed a bleak “C+” CinemaScore, the worst grade of the trilogy. That’s not exactly encouraging since “Halloween Kills,” which scored a slightly better “B-,” collapsed by 70% in its sophomore outing and tapped out with $92 million in North America and $131 million globally. By comparison, 2018’s “Halloween” obliterated franchise records when it opened (in a vastly different theatrical landscape) to $76.2 million. The well-received movie ended its theatrical run with $159 million in the U.S. and $255 million worldwide. “Despite a ‘C+’ CinemaScore,” says Comscore analyst Paul Dergarabedian, “‘Halloween Kills’ has huge brand equity that could help buoy its prospects moving forward.” He adds, “The bigger question for every movie in the marketplace is the impending debut of ‘Demon Slayer: Kimetsu no Yaiba -To the Swordsmith Village.'” The DC comic book adaptation, starring Dwayne Johnson as the eponymous antihero, premieres in theaters next weekend. Elsewhere, “Lyle, Lyle, Crocodile” landed in third place behind “Prey for the Devil” and “Smile.” Sony’s animated family film added $7.4 million from 4,350 venues in its second weekend in theaters, a 34% drop from its debut. So far, “Lyle, Lyle, Crocodile” has generated a so-so $22.7 million in North America. “The Woman King,” starring Viola Davis, secured fourth place with $3.7 million from 2,565 venues. The well-reviewed action epic has grossed $59.7 million domestically and $76.5 million worldwide after five weeks in theaters: a strong result for a movie aimed at adult audiences. But given its $50 million price tag, it still has ways to go to turn a comfortable profit in its theatrical run. Director David O. Russell’s star-studded “Amsterdam” took the No. 5 spot with $2.9 million from 3,005 cinemas, a 56% drop from its catastrophic $6.5 million start. The $80 million-budgeted film, plagued by negative reviews and minimal buzz, has earned just $12 million at the domestic box office and $18.5 million globally, making it be one of the biggest misfires of the year. On the indie front, director Chinonye Chukwu’s historical drama “Till” generated $240,940 from 16 theaters, averaging a solid $15,059 per location. MGM and United Artists Releasing will expand the film, an emotional look at Emmett Till’s mother’s search for justice, to 150 to 200 additional venues next weekend. Meanwhile “Tár,” an awards contender starring Cate Blanchett as a world-famous conductor embroiled in controversy, brought in $360,000 from 36 theaters, translating to $10,000 per location. The film, from Focus Features, has earned $585,000 to date and plans to continue its slow expansion in the coming weeks.acac sefdsfsfsdfsdf